For a suitable donation, a question could be put to the Pythia and an answer obtained from Apollo. Since the words of the Pythia were hard to understand, the priests attending her wrote up the answer in verse and delivered it to the petitioner. The answers were legendarily obscure or ambiguous -- the source of the modern of meaning of "oracular," which is precisely to be obscure or ambiguous. One example of the kinds of answers Delphi gave occurred when King Croesus of Lydiaof legendary wealth, sought advice on the attack against Persia he was contemplating.
The camera pans down to reveal a large planet and its two moons. Suddenly, a tiny Rebel ship flies overhead, pursued, a few moments later, by an Imperial Star Destroyer—an impossibly large ship that nearly fills the frame as it goes on and on seemingly forever. The effect is visceral and exhilarating.
This is, of course, the opening of Star Wars: Episode IV—A New Hopearguably one of the most famous opening shots in cinema history, and rightfully so. Now compare this to the opening of Star Wars: Episode I—The Phantom Menace It opens with Stereotype essay politicians boring pilot asking for permission to land on a ship that looks like a half-eaten donut, with a donut hole in the middle.
The problem, though, is that it may not be the fairest of comparisons. In Menace, a Republic space cruiser flies through space towards the planet Naboo, which is surrounded by Trade Federation Battleships. The captain requests permission to board.
On the viewscreen, an alien gives the okay. The space cruiser then flies towards a battleship and lands in a large docking bay. In the opening of Jedi, an Imperial Shuttle exits the main bay of a Star Destroyer and flies towards the Death Star, which looms over the forest moon of Endor.
The captain requests deactivation of the security shield in order to land aboard the Death Star. Inside the Death Star control room, a controller gives the captain clearance to proceed.
The shuttle then flies towards the Death Star and lands in a large docking bay. As you can see, there are some definite similarities between the two sequences.
And they both consist of a similar series of shots. But, at the same time, there are some clear differences between the sequences.
Third, the screen direction is reversed. The Republic cruiser moves across the frame from left to right, the Imperial shuttle moves right to left.
Even some of the camera angles are reversed in a way. The cruiser enters the docking bay in a low-angle shot, the shuttle in a high-angle shot. From this standpoint, then, the two sequences seem almost like mirror images of each other. Now, the prequels are filled with frequent callbacks to the original films, to be sure, but this seems particularly odd.
Assuming it was intentional, why would the opening of Episode I reflect the opening of Episode VI and at such an incredible level of detail, no less?
It comes off like a script written by an eight-year-old. Episode III—Revenge of the SithStoklasa does offer up two possible explanations for any and all of the similarities between the old films and the new films: Anne Lancashire, professor of Cinema Studies and Drama at the University of Toronto and whose seminal writings on Star Wars form the basis for much of this essayoffers a third, perhaps more thoughtful, possibility that might help shed some light on the matter.
Lucas himself alluded to this in an interview following the release of Star Wars: Episode II—Attack of the Clones Washington wasn’t playing his usual Hollywood-endorsed alpha-male black, and the film’s elegiac tone made its title figure a person to pity, admire, then pity again.
Rhetoric and Stereotypes: Politicians, Tattooed People, Feminists, and Elderly People Rhetoric pertains to the use of language to create an effectively persuasive argument. Stereotyping is taking the description of an individual and applying it to a group as a whole.
There are many generalizations. Jun 14, · Turns Out We Don’t Stereotype Female Politicians. We Just Don’t Get Them At All. In “Measuring Stereotypes of Female Politicians,” published in Political stereotypes of male. Stereotypes also are creating a false idea of how they interact with other individuals.
Many of the stereotypes the children receive are through media. We can’t change this because is the way our society works, but we can teach our children to value other people for what they are, not what they appear to be.
It was one of the rules which, above all others, made Doctor Franklin the most amiable of men in society, "never to contradict anybody." If he was urged to announce an opinion, he did it rather by asking questions, as if for information, or by suggesting doubts.
Sara Bareilles played softly through the surround-sound speakers of my husband’s Mercedes Kompressor as I sat idling at a light. I’d never been to this church before, but I could see it.