This is the conclusion I have come to after looking at this non-controversy boiled up by writer Francine Prose — on Facebook, of course, where perhaps one should let non-controversies lie. The good thing about the controversy is that it made me read both stories both are good. The bad thing about the controversy is that I got tired, again, of readers who seem to have no clue what the imagination means beyond the borders of narrow, realist strategies, and who evince no curiosity and have no clue about the writing or reading ways of others.
The dangers of not being clear are obvious. Is that driver approaching the intersection signaling right or left? Is the brain surgeon asking for a scalpel or a clamp?
One could argue that the consequences of writing an unintelligible sentence are not nearly so drastic as a car wreck or a botched operation.
Which one of the rungs in the ladder were we warned to watch out for?
Was it Francine prose essays basement or the bathtub that Auntie Em told us to take shelter in when the tornado hit Kansas? Explaining what it means to be clear should, in theory, be easy.
The simplest definition may be best: To write clearly means that another person can understand what we mean. Someone not us can figure out what we are trying to say. Of course, an intelligent seven-year-old could point out the problems with this. Maybe some people will understand what we mean, but some people never will, and inevitably someone will think we meant something entirely different from whatever we had in mind.
Endless variables can affect what, and how, and how much we understand: And perfect communication can occur without one word being spoken. And in the absence of clarity even the writer may forget the formerly obvious purpose that has somehow managed to burrow and hide beneath a fuzzy blanket of language.
Article continues after advertisement Obviously, it is easier to write a short clear sentence than a long clear one. It has become a sacred cow of sorts, and I have changed it. My mother died today. Today my mother died. What all these versions have in common is that they are clear.
Each suggests a slightly different shade of meaning, a refinement of our understanding of the complex responses elicited by the word mother in any language; along with a slightly different emphasis on when her death occurred.
What can be understood. Later we can look back on this line as a key to who the narrator is, to the mystery of why he does what he does, and to the consequences of his actions.
But no matter what we conclude, the fact remains that we have understood the first thing he has told us. Most of the three-word sentences that come to mind—She likes chocolate.
I love you—are clear, even if we interpret their meaning in different ways. Lacking either a subject or verb, or both, none of these are proper sentences. Three random words in isolation can sound like surrealist poetry.In her book Reading Like a Writer, Francine Prose provides some insights into her own life as a writer as she analyzes the writings of other writers she admires.
Reading and rereading writers whom.
Gina Apostol objects to Francine Prose’s objections to Sadia Shepard. In the essay "I Know Why the Caged Bird Cannot Read", writer Francine Prose exposes and examines the fallen standards and serious flaws in current US education.
In her essay Prose calls out the methods in which children are being taught in American schools. Francine Prose Francine Prose is the author of 20 works of fiction.
Her novel A Changed Man won the Dayton Literary Peace Prize, and Blue Angel was a finalist for the National Book Award. Her most recent works of nonfiction include the highly acclaimed Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller .
Pre Prose Essay - Pre Prose Prose is the writing style of text such as a story and in this essay I will evaluate the use of the writing style in pre mystery prose and the way in which it is creates an effective atmosphere for the reader and how different to the modern, writing style of today.
Francine Prose is the author of twenty works of fiction. Her novel A Changed Man won the Dayton Literary Peace Prize, and Blue Angel was a finalist for the National Book Award.
Her most recent works of nonfiction include the highly acclaimed Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer/5(4).