As you can see there is a lot going on in this picture, and I can assure you that all the detail is accurate. I was obsessive about detail, and still am to a certain extent. As you can also see from the painting, I was more of a story teller than an artist, though in those days, I longed to be both.
The Arab occupation, from toleft almost nothing in the way of material remains and little or no evidence of cultural interchange. The Arabs fortified the main town with a deep defensive ditch which gave its name to the town: El Khandak, or in Greek Chandax.
In the form Candia this appellation came to be applied to both the town and the whole island in the later Middle Ages. The second occupation, by the Most Serene Republic of Venice, is by far the longest of the three and the subject of this book.
It lasted fromwhen the Venetians finally succeeded in taking possession of the prize for which they had paid 1, marks to Boniface of Montferrat, until the Fall of Candia inafter a siege lasting twenty-one years.
Thus began the third period of occupation, by the Ottoman Turks, which was to end only in The physical evidence of the Turkish occupation is, of course, still visible in Crete today: But while there are undoubted similarities between Greek and Ottoman culture at a popular level, there was remarkably little contact at the level of higher culture.
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This is in marked contrast to the situation which had developed by the end of the Venetian period of Cretan history; the nature and extent of cultural crossfertilisation in the period now generally referred to as 'the Cretan Renaissance' will be a recurring theme in the pages which follow. Throughout the history of the Greek-speaking people there have repeatedly been periods of intense cultural activity generated by contact with an outside culture, whether of the East or of the West.
This happened for the first time in the so-called orientalising period of archaic Greece c. Again in the Hellenistic period, renewed contact with the East played a large part in the evolution of a new literary form, the novel Hagg The Christianisation of Greek culture following the conversion of Constantine the Great is again an example of fruitful interaction with an external stimulus.
In all these cases we are not dealing with a cultural 'takeover' by outsiders, but an opening-up of traditional cultural DAVID HOLTON forms and attitudes in response to the impact of unfamiliar beliefs, aesthetic conventions and techniques.
The old is not swept away, but adapted to a new and challenging set of conventions. The impact of Venetian culture on Crete was neither immediate nor decisive. In fact it is only in the last hundred years or so of Venetian rule that the processes we have been describing come to fruition, principally in thefieldsof painting and dramatic, pastoral and narrative poetry.
It would be truer to say that Venice acted as a channel for the dissemination of the achievements of the Italian Renaissance to Crete, as happened in other Venetian possessions in Dalmatia and the Greek islands.
None the less, Crete is the place par excellence where the meeting of the West with the Greek East took place. For Venice Crete was primarily of importance as a trading base and stopping-point on her routes to the East.
As a direct result of the Fourth Crusade Venice became master of 'a quarter and a half of a quarter' of the Byzantine Empire.
The Republic's possessions in the aftermath of the commercial coup of included not only Crete, but also the Ionian islands of Corfu, Lefkadha, Ithaca, Zakynthos and Kefallonia, the Western Peloponnese including the ports of Methoni and Koroni Modon and Coronparts of Euboia Negroponte and the islands of Salamis, Aigina and Andros.
The number and extent of Venetian possessions underwent considerable ebb and flow in the following centuries, but among the more important territories held for part of the period which concerns us were CyprusNafpaktos Lepanto,Patras, MonemvasiaNafplioKythira Cerigo, and Naxos and The political, administrative and social history of the Venetian occupation of Crete is dealt with in Chapter 2 of this volume.
Here we shall merely highlight some aspects of the intellectual and cultural contacts between Crete and Venice, as background to the detailed discussion of Cretan literary activities which are the subject of the succeeding chapters. The cultural and intellectual traditions of Crete at the beginning of the Venetian period are essentially those of Byzantium.
The territories concerned changed hands at various different dates, some of them several times. In addition there were islands held by Venetian families, for example in the Cyclades, but not ruled directly by Venice. The Cretan Renaissance Cretans and Venetians in this period.
The Greeks, smarting under the harsh ecclesiastical policies of Venice and economic and political repression, for the most part continued to identify their religious and cultural attitudes with those of Byzantium.
Literacy, on the available evidence, was at a low ebb, although the healthy first signs of an emerging vernacular literature are noted as early as the last decades of the fourteenth century see Chapter 3. In general Venetian intellectuals who found themselves in Crete remained as ignorant of the learned Greek language as Cretans did of classical Latin and its literature.Described as the most perfectly written novel of all time.
Also as boring and pretentious. Cue for Treason Author: Geoffrey Trease I wasn’t yet 10 when I found Geoffrey Trease in the historical fiction section of my wonderful local library in Winnipeg. CUE FOR TREASON and CROWN OF VIOLET (my first novel about classical Greece) – and. In Giorgi Gadanoleo-Lyssogiorgi led an uprising in West Crete (Papadhia-Lala ), which much later became the subject of an historical novel, Kprjzixoi f&fioi (Cretan Wedding, ): the author, Spyridhon Zambelios, based his work on documentary evidence about the revolt, which is connected with the decline of the feudal system in Crete.
(Robert) Geoffrey Trease FRSL He is best known for the children's novel Cue for Treason (). Trease is best known for writing children's historical novels, whose content reflects his insistence on historically correct backgrounds, This was written for his family and friends, and published privately after his death.
Cue for Treason study guide contains a biography of Geoffrey Trease, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
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Historical and Philosophical studies (2,) Law (3,) Management Conflicts in Cue for Treason Every story has conflicts and Cue for Treason written by Geoffrey Trease has put 3 main types of conflicts that are going on with different characters Numerous instances in the novel show that Alice perceives herself to be older and more.